MARIA DUARTE and MICHAL BONCZA review Virginia Woolf’s Night & Day, Familiar Touch, Nino, and Toy Story 5
SINCE independence in 1980, Zimbabwe has in some ways become like Animal Farm. Like the pigs in the classic 1945 novel by English writer George Orwell, the country’s post-liberation leaders have hijacked a revolution that was once rooted in righteous outrage. In Zimbabwe, the revolution was against colonialism and its practices of extraction and exploitation.
The lead characters in Animal Farm have the propensity for evil and the greed for power found in despots throughout history, including former Zimbabwe president Robert Mugabe. Zimbabwe’s leaders have also acted for personal gain. They remain in power with no accountability to the suffering of the people they claim to represent.
Animal Farm’s relevance is echoed in celebrated young Zimbabwean author NoViolet Bulawayo’s recent novel Glory. Her satirical take on Zimbabwe’s 2017 coup and the fall of Mugabe is also narrated through animals. And visual artist Admire Kamudzengerere founded the Animal Farm Artist Residency in Chitungwiza as a space for creative experimentation.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
On the centenary of the birth of the anti-colonial thinker and activist Frantz Fanon, JENNY FARRELL assesses his enduring influence


