KEVIN DONNELLY suggests that the task of transforming cultural spaces is far from over and that photography still has a key role to play
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Photographs by Martin Jenkinson
Picket wearing a joke police helmet talking to Police Officers without identification numbers at Orgeave during the 1984-5 miners' strike
[Martin Jenkinson]
RITA DI SANTO talks to Scottish-Irish filmmaker MARK COUSINS about his new series The Story of Documentary Film
ALAN MORRISON welcomes a new collection from the most imaginative and committed ecopoet of our time
CAL McBRIDE relishes the lyrical truth of an unstable identity in an over-tidy and conventional social realist treatment
New releases from Shearwater, Florry, and Navy Blue
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
IN THE four decades before his death at the age of 64 in 2012, Sheffield-based photojournalist Martin Jenkinson chronicled everyday lives in all their drama and detail and that's very much in evidence in the exhibition Who We Are in the city's Weston Park Museum.
Maxine Duffus, South Yorkshire Passenger Transport's first black woman bus driver (Pic: Martin Jenkinson)
The first major retrospective of Jenkinson’s work, it celebrates what was a remarkable career and includes over 80 of his most compelling images.
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CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives