KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana

KEVIN DONNELLY suggests that the task of transforming cultural spaces is far from over and that photography still has a key role to play

KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it

KEVIN DONNELLY asks HOLLY GRAHAM how she, as an artist, can confront an institution over its own association with the slave trade

KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage

KEVIN DONELLY considers the strategies by which a major black US artist asserts the place of African-Americans in visual culture

KEVIN DONNELLY reports from Monte Faudo and its annual remembrance of the region’s WWII partisan anti-fascist battles