Interview Interview ‘Being disturbed is positive’ ALEXANDER ZELDIN tells Mayer Wakefield what he hopes to achieve with his new play about the impact of austerity on the most vulnerable
Theatre Review Arts | Friday 23rd Aug 2019 Theatre Review Appropriate insight into toxic legacy of slavery
Theatre Review Arts | Friday 21st Jun 2019 Theatre Review A sour taste of the black British experience
Theatre review Thursday 30th May 2019 Theatre review Rutherford and Son, National Theatre London Contemporary parallels abound in a late Edwardian drama of an industrial oligarch on the rocks
Theatre Review Sunday 12th May 2019 Theatre Review Death of a Salesman, Young Vic Theatre, London Arthur Miller's classic gets a worthy but underpowered production
Theatre Review Tuesday 26th Mar 2019 Theatre Review High Rise Estate of Mind, Battersea Arts Centre/Touring Music, poetry and storytelling give powerful voice to a generation's fears about London's housing crisis
Theatre Review Tuesday 26th Mar 2019 Theatre Review Downstate, National Theatre, London Set in a group home for sex offenders in Illinois, Bruce Norris's play pulls no punches
Sunday 24th Mar 2019 Yemen: four years of British-enabled tragedy The lack of coverage in the mainstream media of a war in which Britain is so deeply involved is nothing less than disturbing, writes MAYER WAKEFIELD
Tuesday 12th Mar 2019 Theatre: A Lesson from Aloes, Finborough Theatre London Athol Fugard's play is an acute reminder of the horrors of apartheid-era South Africa
Theatre Review Tuesday 22nd Jan 2019 Theatre Review Promising take on Thatcher's legacy runs out of gas Approaching EmptyKiln Theatre, London
Theatre Review Tuesday 02nd Oct 2018 Theatre Review Fighting her corner MAYER WAKEFIELD sees grime poet Debris Stevenson score heavily in her battle against prejudice
Theatre Review Tuesday 17th Jul 2018 Theatre Review Barbed comments Jellyfish is a pointed drama on attitudes towards disabilities, says MAYER WAKEFIELD
