STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
(Un)Defining Queer
Whitworth Art Gallery, Manchester
DOES an individual’s gender, sexuality, race, colour or disability define the way they look at or appreciate art?
Have art galleries and museums adapted to be more inclusive and engaging with all communities within society? If not why not? And if so, what does this adaption look like?
These are some of the discussions around re-imagining art and how it is presented in galleries and museums.
CHRISTIAN KNOBLAUCH is thrilled by the response of children to the presence of artefacts from the British Museum in their classrooms
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage


