MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
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Alive and kicking
The unique nature of Welsh surrealism is what makes it still relevant today, says JEAN BONNIN
COLLECTIVISED ART: Tbilisi Scissors by David Greenslade and John Richardson, July 2019; The Northern Lights Rise Like a Kiss To The Sea by John Welson, John Richardson and Nelly Sanchez, January 2020; A Cambrian Dream #2 by John Welson & John Richardson, May 2018
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
THE subversion and revolt of Surrealism sprang from the embers of the Dada movement and its reaction to the atrocities of the first world war, when death and destruction ware experienced on a grotesquely industrial scale.
It was so beyond comprehension that Dada attempted to mirror the absurd uselessness of it all and its art, including poetry, was often satirical and nonsensical in form and content.
The term Surrealism was coined by the poet Guillaume Apollinaire in 1917 and it was another poet, Andre Breton, who wrote The Surrealist Manifesto in1924.
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