DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
STEWART HOME’S first novel in six years sets off on a familiar road as its protagonists — Martin Cooper, a fifty-something ex-anti-fascist skinhead and his girlfriend Maria Remedios, a drugged-up Spanish head-case in her forties — flit around trendy parts of inner north London exploring their interests in punk, the occult, horror and deviant sex.
But compared with any normal outing on the filthy, belching Home charabanc, this is a restrained ride — one that’s unlikely to induce too much queasiness and which offers rewards at its destination.
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
SCOTT ALSWORTH searches for something – anything – worth recommending from the year’s releases
April 9 1928 – July 26 2025
MICHAL BONCZA, MARIA DUARTE and ANGUS REID review The Other Way Around, Modi: Three Days On The Wing Of Madness, Watch The Skies, and Superman


