DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
DOCUMENTING the rapidly changing look and feel of an increasingly privatised and enclosed contemporary London, Savage Messiah was a pre-digital cut-and-paste fanzine of monochrome photographs, text and illustration.
Part-graphic novel, part-artwork, it described life through the eyes of a young woman in the capital during the early 1990s.
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN
MIKE COWLEY welcomes half a century of remarkable work, that begins before the Greens and invites a connection to — and not a division from — nature
ANDREW FILMER welcomes the reopening of Glasgow’s landmark theatre after a seven-year transformation
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


