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Melodies and memories rendered into a most beautiful form
CHRIS SEARLE on Jazz
Jazz pianist Stanely Cowell
[Tom Marcello/Creative Commons]
NICK WRIGHT considers how the isolation of Israel and a new film on the controversial Italian communist leader are creating new reference points for Italy’s left
CARLOS MARTINEZ says Cuba’s achievements in the face of a criminal blockade are startling, but the island’s future if the United States succeeds in crushing it looks bleak
AMNON BROWNFIELD STEIN reports that far-right MPs who mobbed the event organised by Hadash may have helped raise awareness of the brutality of the Israeli right
Born on this day in 1931, the heroic revolutionary faces a dangerous new wave of White House aggression. We must treat his birthday as a rallying cry to resist the illegal siege of Cuba, writes ROGER McKENZIE
RAMZY BAROUD decries the rats of Gaza, the rodent and human type. Both abound as profiteering from tragedy reaches obscene levels
Stanley Cowell
Are You Real? (Steeplechase SCCD 31790)
No Illusions (Steeplechase SCCD 31828)
YOU can hear virtually the entire century of jazz glories in Stanley Cowell’s piano. His lifetime doesn’t quite stretch that far — only three-quarters of that history.
He was born in the city of Toledo, Ohio, in 1941 and met the greatest jazz pianist Art Tatum, a regular visitor to his parents’ house and player of their family piano, when he was six. But his years encompass an extraordinary richness of playing with, and being inspired by, some of the truly epic figures of the music.
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