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Personal, political, powerful
Poets and editors rate the collections which have made a big impression on them over the last 12 months

JO BELL

FOUR books, each surprising in a different way, address power and the personal in memorable style. Steve Ely’s Englaland (Smokestack) puts muscle and politics back into poetry, swaggering from battlefield to nightclub with the bloody grin of a class warrior.

Jonathan Davidson’s Humfrey Coningsby (Valley) is a more gentlemanly soldier — a discreet time traveller, a mercenary, a swiver.









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