Fownhope’s Heart of Oak Society traces its roots to the age of friendly societies, when communities provided their own safety net. Its anniversary celebrations reveal a tradition still very much alive, says MARK SEDDON
Muhal Richard Abrams: Sound Dance (Pi Recordings)
THERE’S no doubt that due to his incessant organising and music-making, Muhal Richard Abrams has been one of the most powerfully significant figures in jazz development over the last half century, and one who despite his modesty and low profile has contributed a vitally original and influential seam to the music.
Born in Chicago in 1930, Abrams was mainly self-taught, his piano playing originally stimulated by the bop brilliance of Bud Powell. Always an experimenter, he formed the briefly lived Experimental Band in 1961, and in 1965 alongside other musical risk-takers of the Windy City, he formed and became the first president of the groundbreaking Association for the Advancement of Creative Musicians (AACM) which emphasised musical self-reliance, creative innovation and educating and mobilising the Chicago community in support of its new music.
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG


