MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
Elegy
Donmar Warehouse
London WC2
4/5
BARBARA Flynn’s Carrie is faced with an awful choice. She can save her wife Lorna (Zoe Wanamaker) from an awful death at the hands of a degenerative brain condition or she can watch her die horribly. But the price of the cure is Lorna’s memory.
Like Florian Zeller’s The Father and Nicola Wilson’s Plagues and Tangles, Nick Payne’s new play is interested in memory and the threat of a decaying brain.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MARIA DUARTE cherishes the flashes of absurd humour and theme of community healing in a documentary set in a Soviet-era Black Sea sanatorium


