PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
3/5
What does it mean to be broke in “broken Britain”? is the question posed in this play by Leeds-based company the Paper Birds.
Derived from verbatim interviews nationally with people in foodbanks and betting shops as well as single parents, it’s the first in a trilogy of plays about class. Yet while it is an investigation into debt and poverty, it never seeks to offer any solutions to such problems.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse


