Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
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Time catches up with 1970s classic
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawley as Laurence
[Johan Persson]
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Abigail’s Party
Royal Exchange Manchester
MIKE LEIGH’S Abigail’s Party was a huge hit with both critics and audiences when it premiered at the Hampstead Theatre 1977. Its success led to a televised version being screened in the prestigious Play for Today series on BBC.
Leigh has created a tragi-comedy around Beverley and Laurence, an upwardly mobile couple with aspirations for sophistication.
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MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play
PAUL FOLEY welcomes a dramatic account of the men and women involved in the pivotal moment of the 5th Pan African Congress