The Tories introduced the 50% strike ballot threshold to make industrial action harder. MATT WRACK argues that a Labour government has no justification for leaving it on the statute book
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The Canadian melodist of east London
Chris Searle on Jazz
In the wake of Ann Widdecombe’s murder, JOHN GREEN wonders whether the government will really get to grips with the root cause of these attacks on our MPs
The new PM’s opening addresses offered hope, council homes and reform — but little detail on how any of it will be delivered, warns CLAUDIA WEBBE
Despite the screeching from the right-wing media, Burnham’s speech chimed with the public mood - and socialists should take advantage, says Morning Star editor BEN CHACKO
Scotland's Labour leader cannot continue to evade responsibility for the party's decline, argues LAUREN HARPER
Nature as well as society works dialectically, asserts the Marx Memorial Library and Workers’ School
Kenny Wheeler
Songs for Quintet
(ECM 2388)
4/5
WHEN you go through the pedestrian tunnels of Leytonstone Underground station in east London, you pass through a series of striking mosaics of scenes from films by Alfred Hitchcock, who spent his childhood over his father’s grocery shop in Leytonstone High Road. There’s even one of the boy Hitchcock on a pony outside his dad’s shop, with flags and bunting waving.
But if you leave the station and walk northwards towards Wallwood Road, you’ll find another memorial — a blue plaque commemorating another Leytonstone resident who made the Atlantic crossing in the opposite direction to Hitchcock and whose artistry, for more than 60 years, was at least the equal of the cinema legend.
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