GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
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'A wound within nature itself'
MICHAL BONCZA reports on an extraordinary memorial to victims of the Utoya massacre in Norway
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
The official memorials at the sites where 69 people were massacred by right-wing extremist Anders Behring Breivik in Norway three years ago are to be created by Swedish artist Jonas Dahlberg next year.
He was recently selected from a short list which included British artist Jeremy Deller.
Central to the Dahlberg project is the extraordinary Memory Wound, a 3.5 metre wide fissure in the tip of the Sorbraten peninsula that overlooks the island of Utoya where the massacre took place.
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