MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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‘Writing this tune was a very emotional process’
MAKIKO HIRABAYASHI talks to Chris Searle about her elegiac reflection on the Fukushima tsunami
EVER INVENTIVE: Makiko Hirabayashi
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
COSMOPOLITAN to her very musical core, pianist Makiko Hirabayashi was born in Tokyo in 1966. Her mother was a pianist and English teacher and her father worked in the motor industry.
They moved to Hong Kong, where Hirabayashi spent her teenage years imbibing electropop, new wave, punk, reggae, rock and the classics before gaining a scholarship to Berklee jazz conservatoire, where she became fascinated by Boston’s live music scene and was inspired by pianists Keith Jarrett, McCoy Tyner and Joe Zawinul.
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