The bard celebrates two other fine practitioners of the art, and laments a lost brewer
Bleak yet beautiful fiction of near-future disintegration
The White City
by Roma Tearne
(Gallic Books, £12.99)
THERE are echoes, maybe unintended, of both Orhan Pamuk and Ilya Ehrenburg in Roma Tearne’s seventh novel.
They are evident not only in the confinements of the characters and the suppressions of the language used, reflecting the impact of an inclement meteorology upon the mobility and actions of her protagonists, but also in the metaphorical implications of the deadening nature of societies in microcosm, hunkering down and in retreat.
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