ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
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Bleak yet beautiful fiction of near-future disintegration
The White City
by Roma Tearne
(Gallic Books, £12.99)
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
THERE are echoes, maybe unintended, of both Orhan Pamuk and Ilya Ehrenburg in Roma Tearne’s seventh novel.
They are evident not only in the confinements of the characters and the suppressions of the language used, reflecting the impact of an inclement meteorology upon the mobility and actions of her protagonists, but also in the metaphorical implications of the deadening nature of societies in microcosm, hunkering down and in retreat.
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