JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
BADIA walks into Ramallah Hospital like she owns the place, unhurried, greeting everyone and taking in their greetings. Stories fly to meet her in a brew of caution, curiosity and fear. From Samira the receptionist (recently married, keen to please), she wants to know if the tranquillisers had their effect on her husband, who makes love to her like a bull.
To Said the errand boy, she promises a special treatment for his spine, which keeps him up at night. Now handsome young doctor Sami, whom the nurses like to stop and ask ridiculous questions about the weather and incurable diseases, is running towards her, reverently kissing her hand in the way of old movies. ”God keep you from harm,” she says with a laugh and asks about his mother, Sitt Fikriyya, who devoted her life to his becoming a doctor.
On Badia walks, swinging the orange carrier bag whose contents no one dares to ask about. The soft headscarf slips from her loose red bun as she totters down to the basement, fighting back a cheeky smile at the memory of the young doctor’s kiss and repeating to herself, ‘Keep you from harm.’ She opens the door of the autopsy room with her blue-beaded key and swaps her coat for a white gown. Her mobile rings. It’s Umm Salama, calling to say she has sent her a girl with psoriasis from Haifa.
Gisele Pelicot said ‘shame must change sides.’ We may think we agree, but, argues LOUISE RAW, society still has some way to go
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine


