MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Salute to Duke Ellington, Cafe Oto London
Pat Thomas pays memorable tribute to the ‘Duke’
True genius: Duke Ellington in 1971
[Louis Panassie/Creative Commons]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
APRIL 29 was the 120th anniversary of the birth of Edward “Duke” Ellington, the greatest American orchestral innovator of the last century and commemorating his genius on solo piano at this gig is marvellous Antigua-rooted pianist, Pat Thomas.
For Thomas, Ellington is the epitome of jazz and all creative music and he himself has built a reputation for his brilliant free improvisation excursions with confrere Orphy Robinson.
Yet here he is both in the tradition yet simultaneously beyond it. He begins with Prelude to a Kiss and the hammer blows of his chords combine huge manual effort with gentle and serene melody.
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