DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
IS ARMANDO IANNUCCI a national treasure? He should be. But for entertainment — not political satire.
In a West End stage adaptation of Armando Iannucci and Sean Foley’s Dr Strangelove, an insane US commander orders a nuclear strike on Russia. Both sides flounder to prevent apocalypse.
The original film was Stanley Kubrick’s masterpiece, skewering Cold War archetypes from subservient RAF pilot to drunk Russian premier. Iannucci’s adaptation, also set in the ‘60s, has the Russian dictator modelled on Vladimir Putin, labelled in a punchline as “cold-blooded, neurotic — and short!”
GUILLERMO THOMAS enjoys a survey of the current state of the CIA (aka Langley) from an expert and insider of sorts
Washington plays innocent bystander while pouring weapons and intelligence into Ukraine, just as it enables the Gaza genocide — but every US escalation leaves Ukraine weaker than the neutrality deal rejected in 2022, argue MEDEA BENJAMIN and NICOLAS JS DAVIES
April 9 1928 – July 26 2025
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives


