JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
Father of the paperback
GAVIN O’TOOLE marvels at the achievement of a Renaissance publisher of popular portable books and the reforming agenda that drove him
Page-spread from the Aristotelis Opera (Works) printed by Aldus Manutius about 1495—1498
[Bayerische Staatsbibliothek/Public domain]
The bard joins the Carnival Against Fascism, which summer fun sends him down Memory Lane
FIONA O’CONNOR is bowled over by a stunning Welsh language drama
MARIA DUARTE and MICHAL BONCZA review Virginia Woolf’s Night & Day, Familiar Touch, Nino, and Toy Story 5
MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND
ALEX HALL welcomes an analysis of how modern capitalism is deeply intertwined with emotions, and their manipulation
Aldus Manutius: The Invention of the Publisher
Oren Margolis, Reaktion Books, £17.95
IT should be no surprise that an ambitious publisher with a mission, drawn to progressive ideas, was in the vanguard of a cultural revolution in the English-speaking world.
With the launch of Penguin Books in the 1930s and the establishment in Britain of a 20th-century icon, the paperback, Allen Lane revealed both the vast potential of a mass market for fine writing and a hunger for greater access to it among working people.
Lane believed fervently in adult education and was driven by a compulsion to enlighten the masses, and senior editors of Pelican, his non-fiction imprint after 1937, were also involved in the Workers’ Educational Association.
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