DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
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Karel Capek old fears revisited
by CALUM BARNES
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JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
Re-releases from Iain Matthews, Quicksilver Messenger Service, and The Charlie Daniels Band
JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
War With the Newts
Summerhall Basement
Edinburgh
Through a plastic curtain we are ushered in one by one for processing — a brief questioning, a torch flashed in our eyes, wrist stamped then guided by an overly friendly crew member to our seats, an orange crate, in the claustrophobic hull of Captain Von Toch’s ship.
We are greeted by the digital avatars of the nebulous yet nefarious organisation “The Syndicate” who introduce a series of “entertainment protocols” narrating how we have arrived at the present war with the newts.
Tyrell Jones’s timely adaptation of Karel Capek’s 1936 novel, a surreal yet savage satire on the depredations of global capitalism and the rise of fascism, brings the polysemic allegory to the post-Brexit, global-warming scorched present.
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