GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
Kindly disregard the attention seeking cries of the few.
They are child actors being given scripts by liberals.
Most of the young people there are delighted with
what we’re doing. There is no policy
of separation from parents. It’s just
if you’re going to process the mamas
and papas, you’ve gotta take
the bambinos away.
The wire we put around them,
for their own safety, isn’t even barbed.
In there, we help kids go to school,
even give them haircuts
with our giant — and deadly
accurate — Immigration
and Customs Enforcement scissors.
This is the exact opposite of cages.
Despite the headlines,
no one has been gassed.
There are, and never have been,
any concentration camps.
These children are in temporary custody
playing video games
and soccer, getting two snacks
a day and lots of sleep
under their resplendent thermal blankets.
The chain-link fencing
we’ve used to divide into bedrooms
the building we’re warehousing them in
is entirely incidental.
Almost none of the adolescents in our possession
have, as of yet, been turned
into bespoke hat-stands
and raffled off to the dissatisfied wives
of Texan cattle-hands.
In the final part of LAYTH YOUSIF'S series on the history of the NY Cosmos, he traces their experiences which have made them the team that always has success in their sights
Enduring myths blame print unions for their own destruction – but TONY BURKE argues that the Wapping dispute was a calculated assault by Murdoch on organised labour, which reshaped Britain’s media landscape and casts a long shadow over trade union rights today
PAUL W FLEMING is unequivocal that Labour’s unpreparedness and resulting ambiguity on copyright in the creative industries has to be reined in with policies that will reverse the growing abuse by Big Tech AI
Fan group The 1873 issues scathing response to owners’ statement saying the club will not close


