DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
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Lest we forget
On the 90th anniversary of the Nazi book-burnings ANGUS REID casts an eye over the memorial in Berlin to this fundamental moment in the making of fascism
The 'Empty Library' memorial, with St. Hedwig's Cathedral behind; German students and Nazi SA members plunder the library of Magnus Hirschfeld, director of the institute of Sexual Research, 6th May 1933
[Kemmi.1/CC; Public domain/German Federal Archive/CC]
PETER MASON thrills to the sound of south London-born Yussef Dayes, and the galaxy of musicians drawn into his orbit
From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together
JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
Re-releases from Iain Matthews, Quicksilver Messenger Service, and The Charlie Daniels Band
JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
HOW can memorials powerfully remind us of past horrors? How can they keep the atrocities of the past alive and relevant?
Micha Ullmann's Berlin memorial commemorates the fascist blaze, when 90 years ago today, on 10 May 1933, 20,000 works by a great number of German and international authors were devoured by the flames before an ecstatic crowd.
While the directive for burning books was aimed at “left,” democratic, and Jewish literature, the vast majority of the books burned in Bebelplatz, the Square at the State Opera, Berlin, came from the library of Magnus Hirschfeld, the pioneering sexologist and campaigner for sexual equality, and were a public resource dedicated to exploring the diversity of human sexuality in a way that was extraordinarily progressive for its time.
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CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
JOHN GREEN argues that the spreading practice of closing bank account without proof of criminality is an infringement of an elementary human right
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.