DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
PABLO PICASSO, an immigrant from Spain in Paris, was a 25 when he painted Les Demoiselles d’Avignon in 1907. The preparatory work took over six months and hundreds of sketches.
The Girls of Avignon, or Le Bordel d’Avignon, which was Picasso original title, depicts women of a brothel in Carrer d’Avinyo, a street in the Gothic quarter of Barcelona, where Picasso lived and which he was familiar with.
It was Picasso’s friend, the art critic Andre Salmon, who managed its first exhibition and, anticipating public outrage, renamed it Les Demoiselles d’Avignon.
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist


