To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Far from resting on their laurels
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The Christians
Chapel Square Arts, Halifax
THE Christians were one of the most successful — and socially conscious — bands to come out of 1980s Liverpool. Their debut single, Forgotten Town, nailed their colours firmly to the mast, a synth-rock gospel-tinged lament to the industrial towns decimated by Thatcher, delivered with characteristic empathy and compassion.
Two years later, they donated the profits of their first number 1 single — a cover of Ferry Across the Mersey — to the victims of the Hillsborough disaster.
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