ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
LIVERPOOL is blessed with iconic architecture and public spaces and as part of the city’s Biennial — the largest festival of contemporary visual art in Britain — a new series of outdoor sculptures and installations are on show.
Presiding over them are the flags of Larry Achiampong’s Pan African For the Relic Travellers’ Alliance, to be found across 10 locations in the city centre and on the waterfront.
A number of flags, with some featuring 54 stars that represent the 54 countries of Africa, evoke solidarity and collective empathy, while some of their locations speak to Liverpool’s connection with the enslavement of West Africans as part of the transatlantic slave trade.
ELLIS RAE recommends a stunning history of the active role played by the British monarchy in establishing and profiting from slavery
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
As the Alliance of Sahel States and southern African nations advance pan-African goals, the African Union must listen and learn rather than parroting the Western line on these positive developments, writes ROGER McKENZIE
Millions of ordinary English people of all backgrounds consider the cross their own — abandoning it, and its left-wing history that includes the peasants’ revolt, concedes vital ground to the right, argues SIMON BRIGNELL



