DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
Mrs Puntila and Her Man Matti
Royal Lyceum Theatre, Edinburgh
IT’S not often you see theatre that feels dangerous. But Murat Daltaban’s production of Brecht’s savage comedy of class relations is fired by a tangible sense of rage. He means it.
In it, there is a jobcentre but the place looks like a cattle market, where employers, on a whim, size up candidates by physical attribute.
Workers are animals to be sentimental about, then exploited, then slaughtered. As though it were a common event, a failed jobseeker commits suicide.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


