DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
“CRANACH’S work was daring for the time, especially when viewed against the backdrop of the political and religious upheaval surrounding him,” says Julie Finch, curator at Compton Verney gallery.
“But he also understood his market. Famous for working quickly, he employed a large workshop, which produced numerous versions on popular themes, such as Venus and Cupid or Adam and Eve.
“Instantly recognisable today, these works have become the archetypal images of temptation and its consequences.”
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


