DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
ANYONE interested in Ireland’s republican movement should see the English premiere of this play by the late Joseph Crilly.
Set in the aftermath of the Good Friday Agreement, it centres around newly released IRA man Fra Maline. A reception has been arranged for the ex-prisoner in a rundown hall on the outskirts of the village of McQuillan’s Hill in rural mid-Ulster and, while we never see the party itself, we’re treated to some excellent scenes devoted to its build-up and aftermath.
Maline’s nearest and dearest have been invited, including his supposed daughter Theresa and, as she helps clean up after her father’s welcome home party, we meet his sister Loretta. Newly returned to Ireland, she’s secretly bought the hall and employed her old lover Ray McCullion to give it a quick paint-over.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
Why not pay a visit to Feile an Phobail, a people’s festival of community arts with roots in the days of internment without trial, and where the spirit of solidarity remains undimmed, says LYNDA WALKER
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


