KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
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The Royale, Barbican London
Boxing as a powerful metaphor for deep-rooted racism in the US
KNOCK-OUT PERFORMANCE: Shaka Kalokoh as Jack Johnson
MICHAL BONCZA recommends a minimalist installation that prompts intriguing connotations
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX reviews two powerful Latin American novels in which myth and crime fiction expose the deadly consequences of patriarchy, clandestine abortion and state violence
New releases from Laura Veirs, The Waterboys, and Yard Act
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
ANGUS REID considers the power of the podcast as a vehicle for consensus building in opposition to mainstream media narratives
LIKE The Gift, currently playing at Theatre Royal Stratford East, Marco Ramirez’s play offers a thoughtful and necessary engagement with black history.
Set in the first decade of the 20th century, The Royale’s focus is US boxer Jack Johnson, the “negro” world heavyweight champion.
But while he might be the best boxer at his weight on the planet, he can’t fight for the title because the reigning heavyweight champion won’t get into the ring with a black man.
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