DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
THIS disturbing Lucy Prebble play has not been seen since its debut at the Royal Court 17 years ago.
Understandable, since the subject matter is so uncomfortable that any artistic director might baulk at putting it on, and credit is due to the Orange Tree for staging a revival. It deserves full houses every night.
As Saudi Arabia is hailed abroad for its ‘reforms,’ the reality for women inside the kingdom grows ever more repressive. On the International Day for the Elimination of Violence Against Women, MARYAM ALDOSSARI argues it is time to stop applauding the illusion – and start listening to the women the state works hardest to silence
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years


