MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Trevor Watts at 80, Cafe Oto London
Veteran saxophonist defies the years with a fiery performance
Blowing up a storm: Trevor Watts
[shawn-vinson]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
PLAYING his alto and soprano saxophones with a rampant, joyous attack like a contemporary Sidney Bechet, from the very first notes Trevor Watts defies his advancing age.
The 80-year-old, a veteran of revolutionary bands like Spontaneous Music Ensemble and Amalgam from the 1960s and 1970s, rises to a seething ascent as he kicks backwards on reaching each sonic summit.
Veryan Weston’s chiming, intricate piano and the artistry of John Edwards’s bass and the mallets of the subtle, ever-inventive drummer Mark Sanders beat out a thunderous salute to Watts’s eight decades.
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