DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
THE OPENING night of top-drawer literary festival Archway With Words hosted a scratch reading of Ivor Cutler’s previously unstaged play The Fleas, which was sent to actor Bill Patterson in 1978. He was a friend of Cutler and says that he saw him as “a sort of Scottish actor who can get things done.”
Cutler is a cult figure —“he was all meat and no potatoes,” Robert Wyatt has said of him — known for drawing white chalk circles around dogs’ doings on Holloway Road and his songs, radio performances and poetry are all a quirky joy.
The night opened with Patterson reading several of Cutler’s poems and the latter’s distinct voice was caught well in Patterson’s unique timbre. The play itself was fleeting — biting and fun — with Patterson reading stage directions as three actors read their parts.
BEN COWLES samples the many sonic and social therapies of Manchester Punk Festival 2026, and is ready again to smash capitalism
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
RUTH AYLETT reviews two collections of outright political poetry
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book


