MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
A POPULAR theme in 19th-century painting is the depiction of domestic interiors as a “gilded cage” in which women are pictured as ornamental objects.
Trapped psychologically or physically, they’re the subject of iconic Pre-Raphaelite and British Orientalist paintings by artists such as Edward Burne-Jones, William Holman Hunt and John Frederick Lewis.
Their works are on show in the forthcoming exhibition The Enchanted Interior at Laing Art Gallery in Newcastle-upon-Tyne, alongside works by their female peers such as Emma Sandys and Evelyn De Morgan which challenge and subvert the idealisation of women as captive damsels or passive beauties.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
SYLVIA HIKINS casts an eye across the contemporary art brought to a city founded on colonialism and empire


