DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
THE sight of Jacob Rees-Mogg reclining along the government front bench in Parliament is as perfect a picture of privilege as there is.
Labour MP Anna Turley called Rees-Mogg’s slouching the “physical embodiment of arrogance, entitlement, disrespect and contempt for our Parliament,” while, according to Green Party MP Caroline Lucas, the leader of the House’s body language throughout the evening “has been so contemptuous of this house and of the people.”
Rees-Mogg rests easy. As far as he’s concerned, Parliament is there to serve his, and the toffs, interest. The pasty-faced leech just has to sit tight, or rather lounge.
BOB NEWLAND appreciates an important contribution to the debate about how slavery helped to build the wealth of Western companies and states
The Bard does Bearded Theory, and lodges a complaint about bandnames
The collapse of the Atlantic Meridional Overturning Circulation poses an existential threat — but do today’s politicians have the capacity to deliver the more resilient and sustainable economics of tomorrow, wonders ALAN SIMPSON
TOM STONE sings the praises of one of the oldest open-air festivals in Britain


