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‘It felt like it was time for her to speak for herself’
LISA HOLDSWORTH tells Neil Mudd why she wants to dispel some of the myths surrounding writer Andrea Dunbar in her new play
In synergy: Lisa Holdsworth outside the Beacon pub in Buttershaw [Tom Woollard]

YOU wait ages for a Lisa Holdsworth play about Andrea Dunbar to come along, then two come at once. Her stage version of Adelle Stripe’s novel about the writer, Black Teeth and a Brilliant Smile, opens in Bradford later this month.

It follows Unsung, an ensemble piece about inspirational but under-imagined women. The screenwriter and playwright worked on it for over two years, persuaded by Alice Barber and Elvi Piper – “fresh-faced new voices in theatre in Leeds,” according to Holdsworth — to develop a play featuring real-life women selected by members of the cast.

Buttershaw actress Kat Rose-Martin chose Dunbar, whose gritty 1982 comedy Rita, Sue and Bob Too, based on the Yorkshire housing estate where she lived, brought her great acclaim.  A young writer of huge promise, she tragically died of a brain haemorrhage in 1990 at the age of 29.

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