Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
YOU wait ages for a Lisa Holdsworth play about Andrea Dunbar to come along, then two come at once. Her stage version of Adelle Stripe’s novel about the writer, Black Teeth and a Brilliant Smile, opens in Bradford later this month.
It follows Unsung, an ensemble piece about inspirational but under-imagined women. The screenwriter and playwright worked on it for over two years, persuaded by Alice Barber and Elvi Piper – “fresh-faced new voices in theatre in Leeds,” according to Holdsworth — to develop a play featuring real-life women selected by members of the cast.
Buttershaw actress Kat Rose-Martin chose Dunbar, whose gritty 1982 comedy Rita, Sue and Bob Too, based on the Yorkshire housing estate where she lived, brought her great acclaim. A young writer of huge promise, she tragically died of a brain haemorrhage in 1990 at the age of 29.
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
CWU leader DAVE WARD tells Ben Chacko a strategy to unite workers on class lines is needed – and sectoral collective bargaining must be at its heart
Governing body says officials acted within laws and player welfare remains top priority


