New releases from Laura Veirs, The Waterboys, and Yard Act
SET in Westerbork transit camp for Dutch Jews in Holland in 1943, Ian Buckley’s The Project tells the story of four cabaret artists and their relationships, both with each other and their nazi camp commandant.
Much of the play’s factually based background relates to how, one day a week, 1,000 inmates were transported by rail to a destination in the east such as Auschwitz or Sobibor. Most feared what lay in store for them.
The cabaret artists stayed longer than the majority — their usefulness delaying but not putting off the fateful transport day. Their agency was limited and illusory in a world of fear and half-hopes.
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation


