JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
Soviet Design from Constructivism to Modernism 1920-1980
by Kristina Krasnyanskaya and Alexander Semenov
Scheidegger & Spiess £43.85
“...THE Russians have introduced a new energy and new artistic possibilities... pointing the direction they must follow to reach their ideal, the new human ideal: a constructive way of life. They are the children of the future.”
Lajos Kassak, 1922
IN THE 1920s, the world looked to the young Soviet Union as a byword for new approaches—not only in politics and social organisation, but also in various areas of artistic creativity, including art and design.
Radical creative figures in the rest of the world had been electrified by the Russian Revolution of October 1917 and were eager to learn about the innovative experiments that were being conducted by their colleagues in the young workers’ state.
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
Paul MacGee of Manifesto Press invites you to a special launch on Saturday August 2.
HENRY BELL notes the curious confluence of belief, rebuilding and cheap materials that gave rise to an extraordinary number of modernist churches in post-war Scotland


