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Style over substance
Art Deco borrowed from Bauhaus and Soviet Constructivism but ignored their core social commitment, writes CHRISTINE LINDEY
(L to R) Summer 1928, Thomas Martine Ronaldson, Cleethorpes, design for Railway Poster, Septimus Scott, c1930

Exhibition I Art Deco by the Sea,
Laing Art Gallery, Newcastle-Upon-Tyne

AS WE face winter’s gloom, how lovely to dwell on the sunlit seaside pleasures of warmer days.

The Laing Art Gallery’s exhibition, Art Deco by the Sea, conveys these through drawings, paintings, photographs, fashion, plates, furniture, ceramics and textiles from the 1920s and 1930s.

Originating in France, this sleek new style signified fun, sophistication, modernity and a rejection of fusty, claustrophobic Victorian and Edwardian times.

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