DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
BACK in 2014 I was excited to read Paul Rees’s book The Three Degrees, about the 1978/79 football season when West Bromwich Albion became the first British football team to field three black players: Cyrille Regis, Laurie Cunningham and Brendon Batson.
As an Orient fan, I was particularly interested in reading about Laurie Cunningham’s part in this social change.
All three players were superb, and played in a time of dire racial tension when racism was highly politicised and active on the streets and terraces. The talent, grace, and style of all three men helped to change the opinions of many and opened the door to more black players in the football league but also to how we saw and related to each other.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture


