Skip to main content
Empathy that cuts across US’s cultural isolation
As relations with Cuba begin to thaw, CHRIS SEARLE explores the jazzy partnership between a Virginian bassist and a Havana-born pianist

Charlie Haden and
Gonzalo Rubalcaba
Tokyo Adagio

When the Shenandoah-born bassist Charlie Haden was in Cuba with the Liberation Music Orchestra in 1986, performing at the Havana Jazz Festival, he found himself playing at the same concert as a young, classically trained Havana-born pianist called Gonzalo Rubalcaba, who had just returned from touring the Soviet Union.

Haden introduced himself to the young prodigy, and they began a friendship which lasted until the great bassist’s death in July 2014. The US ban on Cuban musicians meant that any performances on recordings with Rubalcaba had to be made outside the US frontiers, and Hayden overcame this obstacle by inviting the Cuban to 1989 Montreal Jazz Festival as his guest, and in 1990 he recorded his first studio album outside Cuba, Discovery, in Montreal for Blue Note Records, followed by The Blessing in 1991 with Hayden and the drummer Paul Motian.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
Mujician
Books / 3 June 2026
3 June 2026

CHRIS SEARLE recommends a work of love and deep admiration for a great musician

ahmed
Jazz Album Review / 20 May 2026
20 May 2026

CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance

moholo
Appreciation / 9 July 2025
9 July 2025

CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo

themen
Interview / 18 June 2025
18 June 2025

CHRIS SEARLE speaks to saxophonist and retired NHS orthopaedic surgeon ART THEMEN