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Alan Frank reviews 'The Goob'
The Goob (18)
Directed by Guy Myhill
2/5
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
THE CREDITS reveal that we’ve already paid twice for writer-director Guy Myhill’s debut feature, since The Goob was funded with public money via the BBC and the British Film Institute, which allocate lottery funds.
So, what do we get for our money?
On the credit side, attractive Norfolk locations beautifully photographed by Simon Tindall add valuable depth to this coming-of-age drama.
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