GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
The year 1977 was the 20th anniversary of California's Monterey Jazz Festival, and among the customary musical eminences making their first appearance were the tempestuous Ernesto "Tito" Puente and his Latin Jazz Orchestra.
Puente (pictured), from Puerto Rican roots, was born in Spanish Harlem in 1923.
He studied piano, alto sax and trap drums before focusing on timbales, eventually joining the prominent Afro-Cuban band led by Machito.
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