ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
The Swan Theatre
Stratford-upon-Avon
CHRISTOPHER MARLOWE’S play Doctor Faustus presents any modern director with a key problem. How can a contemporary audience, no longer in thrall to religious mythology, take seriously Faustus’s pact with the devil and his minister Mephistophilis, trading his immortal soul for 24 years of gratification of his every desire?
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



