The bard celebrates two other fine practitioners of the art, and laments a lost brewer
The Handsworth Times is your first novel. How did you go about writing it?
I’d like to say I have a routine and a set process for writing but it would be a big fib.
I am quite unorganised and a bit sporadic as a writer but I do always carry a notebook, jot down ideas as they arise and revisit them later. I have taught myself to write quickly through necessity and I can bang out a shoddy first draft at speed.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
At the very moment Britain faces poverty, housing and climate crises requiring radical solutions, the liberal press promotes ideologically narrow books while marginalising authors who offer the most accurate understanding of change, writes IAN SINCLAIR
MANJEET RIDON relishes a novel that explores the guilty repressions – and sexual awakenings – of a post-war Dutch bourgeois family


