JAMIE BRITTON recommends that we all buy at least two copies of a remarkable book of poems
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Another Eye, Four Corners London
Gerti Deutsch, A Childs View of the War. © Gerti Deutsch:Picture:Post:Hulton Archive: Getty Images
The bard joins the Carnival Against Fascism, which summer fun sends him down Memory Lane
FIONA O’CONNOR is bowled over by a stunning Welsh language drama
MARIA DUARTE and MICHAL BONCZA review Virginia Woolf’s Night & Day, Familiar Touch, Nino, and Toy Story 5
MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND
ALEX HALL welcomes an analysis of how modern capitalism is deeply intertwined with emotions, and their manipulation
THE WOMEN photographers in this exhibition, which opens on February 28, were among the 80,000 refugees fleeing nazi-dominated Europe for Britain in the 1930s.
The majority, from Jewish backgrounds, were escaping anti-semitic and sometimes political persecution. Many were established practitioners who brought fresh, modernist perspectives that opened up and reshaped British photography in the decades that followed.
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