The bard celebrates two other fine practitioners of the art, and laments a lost brewer
Stop and Search
Arcola Theatre, London
THE interconnected conversations between a trio of couples who’ve come together at moments of stress and danger — moments at which humanity and compassion are directly called into question — is the focus of Gabriel Gbadamosi’s Stop and Search.
Tel is driving back to Britain with Akim, who’s trying to get into the country and might just be able to keep Tel awake on the drive. Lee and Tone are staking out an address, waiting for someone to turn up, with the former ready for violence and the latter unconvinced, while Bev gets into a cab and directs the driver to a bridge.
Each of their conversations covers a lot of ground, among them immigration, crime, relationships, trans identities and racism. And each is explored in depth and their echoes in the other conversations complicate the ideas and politics even more, so that Akim’s experience trying to get into Britain comes to echo that of Bev as a black Londoner.
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging


