The bard celebrates two other fine practitioners of the art, and laments a lost brewer
IN THE days and weeks after the 2017 Grenfell Tower tragedy, in which 72 people lost their lives in a fire that consumed the 24-storey residential block in North Kensington, London, dozens of memorials appeared in the vicinity of the building.
People brought flowers and pictures and green ribbons. They made hearts and mosaics. They painted graffiti. They went on silent walks.
Five years on, many of these spontaneous creations are still there. They speak powerfully to the pain and loss in the community. But through lack of maintenance and ownership, or simply because they were not designed to withstand the elements and the passing of time, they are already showing signs of decay.
YVETTE WILLIAMS and JOE DELANEY dissect the institutional dawdling that rubbed salt into the Grenfell open wounds prolonging the agony of survivors
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
As we approach the half-anniversary of the Grenfell tragedy, the community gathers to remember loved ones while grappling with mixed emotions surrounding the ongoing deconstruction of the tower and the hopeful plans for a memorial, writes EMMA DENT COAD
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


